Osaka DOOH · the Glico sign, Midosuji, Expo 2025 · June 2026
Japan's neon-and-rail second city in an Expo year, the Glico sign, Umeda and Shinsaibashi, bookable by the hour, priced per play, matched to how Osaka actually moves.
Osaka billboard and DOOH (digital out-of-home) costs span from a few cents per play on urban panels to premium Dotonbori, Shinsaibashi and landmark networks. On Blindspot, Osaka screens are booked by the hour and priced per play, entry plays start around $0.40, with no contracts or minimums.
The smart Osaka play isn't one screen for a month. It's the right screens at the right hours: the arteries at commute peak, the malls through the afternoon, the nightlife and tourist cores after dark.
Billboard ranking points
Scored by Blindspot's location intelligence on visibility, dwell time, and footfall (directional, 1–10). Every one is bookable by the hour on the platform.
The neon riverfront and the Glico Running Man, the city's spectacular tourist-and-nightlife belt.
The business and department-store hub with vast station-deck digital, the busiest interchange in western Japan.
The entertainment and transit interchange, high youth footfall.
The flagship shopping street with concourse vision screens, luxury and cosmetics.
The southern retail hub by the Abeno Harukas tower, a value and family audience.
The retro tourist district by Tsutenkaku tower, food and leisure.
The media estate · operator partners
Blindspot puts digital out-of-home (DOOH) and classic out-of-home from Osaka's media owners, LIVE BOARD, Kesion, JR West among them, onto one map, bookable by the hour. Below: real partner screens across the city's prime zones.
Imagery from media-owner/operator partners. Locations indicative; live availability and per-screen pricing show in the platform.
Formats
From a highway bulletin to a single mall screen, Blindspot puts Osaka's digital out-of-home and classic OOH formats on one map, each priced per play and bookable by the hour. The formats that matter here:
Large-format LED on highways, bridges and boulevards, motion, dayparting and dynamic triggers.
Pedestrian-scale panels and citylights in high-footfall retail and downtown corridors.
Highway and arterial bulletins built for commuter frequency on the busiest routes.
High-intent shoppers from midday to evening across the city's retail destinations.
Osaka Metro and JR West WEST Vision screens plus stations and place-based screens with captive dwell.
Landmark and spectacular placements for brand statements in the city's signature locations.
Location insights
Osaka's out-of-home splits between two poles linked by Midosuji Avenue: Kita around Umeda's vast station decks, and Minami around Namba, Shinsaibashi and the neon riverfront of Dotonbori, home to the Glico Running Man, the city's signature billboard since 1935. The Umeda complex alone moves about 2.5 million people a day, and Expo 2025 is lifting demand and visitors. The audience is dense, young and inbound-heavy. Buy Dotonbori at night, Umeda and Shinsaibashi by day, the in-train screens for frequency.
Umeda and the main arteries surge 7:30–10 AM and 5–8 PM. Book exactly those hours and your frequency climbs for the same budget.
Shinsaibashi and the city's malls hold heavy footfall from noon to evening, long windows where dwell and shopping intent, not rush, do the work.
Dotonbori shifts from daytime to social and tourism after dark. Different audience, same screens, swap the creative, not the location.
Location intelligence summary
Osaka doesn't have one rush hour; it has rotating audiences sharing the same streets. The only buying model that matches that is hourly: pay for the windows when your audience owns the city, skip the ones when it doesn't.
| Objective | Book these zones | Best hours |
|---|---|---|
| Brand launch | Dotonbori + Umeda | 6–11 PM |
| Commuter frequency | Namba, Umeda | 7:30–10 AM · 5–8 PM |
| Retail foot traffic | Shinsaibashi, Dotonbori | 12–8 PM |
| B2B / decision-makers | Tennoji / Abeno, Umeda | Weekdays 9 AM–6 PM |
| Tourism & events | Dotonbori, Shinsekai | 10 AM–8 PM |
A month-long 24/7 rotation pays for 3 AM plays nobody sees. Hourly booking concentrates the same budget into Osaka’s proven peak windows, and typically saves 30%+ versus a flat four-week flight.
Morning commuters read in 2 seconds; evening crowds dwell for minutes. Run different creative by hour on the same screens, even trigger swaps on weather or live data.
Every play is logged. Blindspot campaigns report verified plays and attribution, measured against control groups, not estimated reach.
Cite this
Pricing · updated June 2026
Per-play prices, not CPM mysteries. Live per-screen pricing and real-time availability are on every card in the platform; the ranges below reflect typical Blindspot pricing as of June 2026.
| Format | Price per play | Typical presence | Why it works |
|---|---|---|---|
| Street & roadside digital | from ~$0.40 per play | $100 buys hourly Midosuji bursts | dense pedestrian reach |
| Dotonbori / Umeda spectaculars | $0.60–$6 per play | $6,000–$28,000 typical 4-week presence | tourist and nightlife core |
| Station vision & in-train | $0.40–$4 per play | WEST Vision rider reach | mass repeat frequency |
| Shinsaibashi / Namba | $0.48–$4 per play | flagship retail windows | luxury and youth shoppers |
| Tennoji / Shinsekai | $0.36–$3 per play | southern retail and leisure | value and family reach |
No minimums · no contracts · pay per verified play · hourly scheduling per screen
What a campaign costs
Because pricing is per play and hourly, there's no minimum, but here's what budgets realistically buy. Live numbers per screen are in the platform.
Dotonbori test
An hourly burst on Dotonbori and the WEST Vision in-train screens. Ideal for launches and Expo-year campaigns.
Multi-zone Osaka push
Dotonbori plus Umeda and Shinsaibashi across peak windows, the workhorse plan for consumer brands.
Osaka flagship
The Dotonbori-and-Umeda spectaculars plus the rail network, a full-city statement in an Expo year.
FAQ
From a few cents per play on urban panels to premium boulevard, transit and landmark networks. On Blindspot, Osaka screens are priced per play and booked by the hour, entry plays start around $0.40, with no contracts or minimums.
Dotonbori ranks #1 for reach and dwell. For premium and B2B audiences, Umeda leads; for retail intent, Shinsaibashi; for mass commuter frequency, the city's busiest transit arteries.
Yes, on Blindspot every Osaka screen is bookable by the hour with no minimum contract, so you can buy only the commute peaks, shopping afternoons, or evening windows that match your audience.
Blindspot aggregates digital out-of-home inventory across Osaka onto one map, roadside and boulevard screens, transit, mall and place-based panels, bookable per play. The wider OOH supply is run by operators such as LIVE BOARD, Kesion, JR West.
Often within hours: upload, pass creative pre-check, and digital screens need no printing or installation. Content approval typically averages around two business days across networks.
A multi-day hourly presence on a high-traffic Umeda corridor, a concentrated burst across the busiest transit and retail screens at peak hours, or thousands of plays on central urban panels.
No. Blindspot has no minimums, retainers or platform fees; you can run a focused hourly burst on a single screen or a full multi-zone Osaka campaign.
How to book
No sales calls, no contracts, self-serve from the map to live creative.
01
Open the map, filter Osaka by zone and format, and select the exact screens and the exact hours your audience is out.
02
Every screen shows its price per play and real-time availability before you commit. Build the plan; the running total is always visible.
03
Upload creative, pass pre-check, and go live, often within hours. Track verified plays and attribution as the campaign runs.
Keep exploring
Expo-year Osaka. Your hour.
Pick the screens, pick the hours, see the price per play, live in hours.
